I explained about apparent light size in Full Flash Macro Photography - 3 Things you must know!. Since many people still find the apparent light concept hard to grasp, I specifically added this supporting post with more examples. These additional sample images have been added to the main post Full Flash Macro Photography - 3 Things you must know! as well.
Consider these two scenarios:
A: I used my Canon MT24EX Twin Flash with the DIY Diffusers on the Canon MPE65 1X-5X Macro Lens,
B: the same MT24EX with the same DIY Diffusers on the Sigma 150mm F/2.8.
I should be getting the same light, right?
If you answered Yes, you should read Full Flash Macro Photography - 3 Things you must know! again.
Now take a look at these two images:
Both were shot at 1X, lit with the MT24EX and DIY Diffusers. Even without the text, you should still be able to tell which one was shot with which lens. Clues: look at the quality of the light - which one has nicer light? Which one harsher? Another clue: apparent light size. Look at the twin reflections on the scroll wheel.
MPE65 has a working distance of 4 inches from the front of lens to subject, whereas the Sigma 150, approximately 7.9 inches. The same DIY Diffusers will give better light because of the smaller working distance, and hence better apparent light size. And don't forget about the inverse square law for light and the higher virtual shutter speed. At 1:1, if i were to shoot in manual flash mode, i'd probably need only 1/4th power. With the sigma 150, i might need full power. Since all the light is from the flash at my normal full flash shot of F11, ISO100, 1/200, look what difference in virtual shutter speed i get courtesy of the flash duration:
Flash duration ( which is my virtual shutter speed)
1/1050 sec. at M1/1 (full) output
1/2700 sec. at M1/4 output
Sigma 150's longer working distance of 7.9 inches works against it on all 3 aspects: apparent light size, inverse square law and
Longer lenses are just not meant for Full Flash Photography.
I am not saying the Sigma 150 is not good. I wouldn't have bought it if i didn't think it was great. It's just different. I love it for its bokeh and working distance which allows me to shoot more skittish bugs that's not possible to approach with the MP-E65. But i use it mainly for Fill Flash and Natural Light shots. It's not impossible to use it for full flash and still get great light. You can always place the flash and diffuser off shoe, really close to the subjects. But how many times have you come across an insect in the wild that allows you to do that?
So if the same twin flash and same DIY Diffusers give harsher light on the Sigma 150 because of the longer working distance, how will it perform on the MPE65 at 2:1 (2.5" working distance), and 3:1 (2" working distance). Working distance info here.
I am sure you know the answers already by now. Nicer, more diffused light, of course:)
All shot with Canon MPE65 1X-5X macro lens and/or Sigma 150mm macro lens with MT24EX Twin Flash
However, it is worth mentioning that if you use an adapted concave diffuser on longer lenses like the Sigma 150, you can still get very good diffusion. Look for KJ Teng's and CheeWai's macro rig and sample images in this post,
KJ Teng's macro rig. SB900 on hotshoe, but he has since upgraded to R1 twin flash.
CheeWai's Macro Rig, 270EX on Dual Arm Macro Bracket.
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Sunday, January 31, 2010
Thursday, January 28, 2010
Up close with a cute ant-mimic crab spider :)
A very cute and rare (to me :D) ant-mimic crab spider, Amyciaea lineatipes?.
All images shot with a Canon 40D, Canon MP-E65 1X-5X macro lens and Canon MT-24EX Twin Flash with DIY Diffusers.
If you would like to see more spiders, check these out:
1. Ant-mimic crab spider eating weaver ant
2. More ant-mimic spiders
3. Wonderful jumping spiders
4. Ant-mimic crab spider - mating!
5. Male red ant-mimic jumping spider
All images shot with a Canon 40D, Canon MP-E65 1X-5X macro lens and Canon MT-24EX Twin Flash with DIY Diffusers.
If you would like to see more spiders, check these out:
1. Ant-mimic crab spider eating weaver ant
2. More ant-mimic spiders
3. Wonderful jumping spiders
4. Ant-mimic crab spider - mating!
5. Male red ant-mimic jumping spider
Friday, January 22, 2010
What metering mode to use when shooting macro?
Spot? Partial? Evaluative? Center Weighted? What mode to use?
I shoot mainly full flash in ETTL mode so i am guessing the metering mode won't matter. How ETTL works (from Canon site):
Canon's flagship flash mode, E-TTL stands for "Evaluative Through-The-Lens" flash exposure control. In E-TTL, the meter reads through the lens, but not off the focal plane. Utilizing a preflash fired after the shutter button has been fully depressed - but before the camera's reflex mirror goes up - E-TTL uses the camera's evaluative metering sensor to analyze and compare ambient light exposure values with the light reflected from the subject by the preflash. This data is used to calculate and store the flash output required for optimum exposure of the main subject (identified by the AIM system), while maintaining a subtle balance between foreground and background. This method provides several extra features such as Flash Exposure Lock (a method of spot metering with flash) and FP flash mode (the ability to use flash at high shutter speeds). E-TTL requires the use of EX-series dedicated Speedlites such as the 550EX, 420EX, 220EX, 270EX, Canon MT-24EX Twin Flash or Canon MR-14EX Ring Flash in combination with a compatible camera.
More here:
and here:
I also dial in mostly -1 FEC (flash exposure compensation) depending the the background and fine tune from there. When there is no bg or bg is dark, i increase the -FEC (i.e from -1FEC to maybe -1.3 or -1.6, or even -2), and when the bg is bright, i reduce the -FEC, or even dial in +FEC ( i.e -.7, -0.3, 0, +0.3 or more)
For a detailed explanation on the use of FEC (Flash Exposure Compensation), pls refer to this post.
I shoot mainly full flash in ETTL mode so i am guessing the metering mode won't matter. How ETTL works (from Canon site):
Canon's flagship flash mode, E-TTL stands for "Evaluative Through-The-Lens" flash exposure control. In E-TTL, the meter reads through the lens, but not off the focal plane. Utilizing a preflash fired after the shutter button has been fully depressed - but before the camera's reflex mirror goes up - E-TTL uses the camera's evaluative metering sensor to analyze and compare ambient light exposure values with the light reflected from the subject by the preflash. This data is used to calculate and store the flash output required for optimum exposure of the main subject (identified by the AIM system), while maintaining a subtle balance between foreground and background. This method provides several extra features such as Flash Exposure Lock (a method of spot metering with flash) and FP flash mode (the ability to use flash at high shutter speeds). E-TTL requires the use of EX-series dedicated Speedlites such as the 550EX, 420EX, 220EX, 270EX, Canon MT-24EX Twin Flash or Canon MR-14EX Ring Flash in combination with a compatible camera.
More here:
and here:
I also dial in mostly -1 FEC (flash exposure compensation) depending the the background and fine tune from there. When there is no bg or bg is dark, i increase the -FEC (i.e from -1FEC to maybe -1.3 or -1.6, or even -2), and when the bg is bright, i reduce the -FEC, or even dial in +FEC ( i.e -.7, -0.3, 0, +0.3 or more)
For a detailed explanation on the use of FEC (Flash Exposure Compensation), pls refer to this post.
Wednesday, January 20, 2010
A huge, orange robber fly with prey
The first and last were single exposures, unstacked. The second shot was stacked from two images in Adobe Photoshop CS3 manually. Tutorial on manual focus stacking is here.
All images shot with a Canon 40D, Canon MP-E65 1X-5X macro lens and Canon MT-24EX Twin Flash with DIY Diffuser.
For the vertical shots, i turned my Canon MT-24EX Twin Flash 90 degrees CCW before closing in on my subject.
Check out some of my favorite robber fly shots here.
All images shot with a Canon 40D, Canon MP-E65 1X-5X macro lens and Canon MT-24EX Twin Flash with DIY Diffuser.
For the vertical shots, i turned my Canon MT-24EX Twin Flash 90 degrees CCW before closing in on my subject.
Check out some of my favorite robber fly shots here.
Monday, January 18, 2010
Wonderful reflection!
A beautiful Crimson Dropwing (Trithermis aurora) dragonfly with wonderful reflection.
Shot with a Canon 40D and Sigma 150mm F/2.8 macro lens.
The original image is this:
Yes, the reflection was added using Flaming Pear's Flood plugin. :D
A tip. Notice that there's insufficient space at the bottom for reflection? Well, you can fix this easily in photoshop. Just go to File - New and create a blank layer the same width but twice the height of the original image, then copy the original image over and lastly, flatten it.
Play with the Flood plugin all you want until you get the effect you like. That's it! Enjoy!
This dragonfly shot was taken with natural light, tripod, reflector, 2-second timer, Live View. You don't have to use the timer if you have a remote control or cable release. For more tips on natural light macro photography, check out this post.
Shot with a Canon 40D and Sigma 150mm F/2.8 macro lens.
The original image is this:
Yes, the reflection was added using Flaming Pear's Flood plugin. :D
A tip. Notice that there's insufficient space at the bottom for reflection? Well, you can fix this easily in photoshop. Just go to File - New and create a blank layer the same width but twice the height of the original image, then copy the original image over and lastly, flatten it.
Play with the Flood plugin all you want until you get the effect you like. That's it! Enjoy!
This dragonfly shot was taken with natural light, tripod, reflector, 2-second timer, Live View. You don't have to use the timer if you have a remote control or cable release. For more tips on natural light macro photography, check out this post.
Saturday, January 9, 2010
Tanah Aina
I was hired to shoot for Tanah Aina quite some time ago. It's great to get away from the hustle and bustle of the city and I enjoyed every minute of my stays at all five of the different Tanah Aina Orchards.
Photos - me
Location: Tanah Aina Farrah Soraya
Tanah Aina Farhana
Tanah Aina Fareena
Tanah Aina Farouq
Tanah Aina Azareena
Brochure Design: Kingfisher Creative
All shot with a Canon 40D and Tamron 17-50mm
Yes, that's my new pet....aww...so cute :)
Yes, i'd be lying if i told you i didn't feel like jumping into the stream with crystal clear and cool water...but alas, I had a job to do :D
Photos - me
Location: Tanah Aina Farrah Soraya
Tanah Aina Farhana
Tanah Aina Fareena
Tanah Aina Farouq
Tanah Aina Azareena
Brochure Design: Kingfisher Creative
All shot with a Canon 40D and Tamron 17-50mm
Yes, that's my new pet....aww...so cute :)
Yes, i'd be lying if i told you i didn't feel like jumping into the stream with crystal clear and cool water...but alas, I had a job to do :D
Wednesday, January 6, 2010
Tropical Flora
Sharing some of the wonderful tropical flora of Malaysia. Learning to shoot flowers (and plants) here. Not easy but i knew that already :D. Flowers are so beautiful and elegant, and they are best complemented with nice light and bokeh. Of course, since most flowers are so big (compared to most bugs, LOL), you need to decide where to place the Depth of Field.
All taken with a Canon 40D and Sigma 150mm F/2.8 macro lens, mostly with natural light.
Not getting the bokeh i wanted, even with the Sigma 150mm. Perhaps i need a 180mm.
Not sure of its ID
Dendrobium crumenatum, white wild orchid
Bamboo orchid
Cup mushroom
Bamboo orchid
another orchid
purple waterlily...the bee insisted on being there.
yellow orchid, looks like top view of a bug :D
Mushroom
Fern
Bird's Nest Fern
Wild flowering vine
Pitcher plant
Anthurium
Green orchid
Some kind of creeper, climbing fig (Ficus sp.?)
Backlit fungus
Rafflesia cantleyi. More about it here.
Hmm..
All the images above were shot with natural light, with tripod whenever I could, and reflector when necessary. When on tripod, I use the 2-second timer (because I don't have a cable release or wireless remote), Live View (to enable Mirror Lock Up, MLU). More info here.
All taken with a Canon 40D and Sigma 150mm F/2.8 macro lens, mostly with natural light.
Not getting the bokeh i wanted, even with the Sigma 150mm. Perhaps i need a 180mm.
Not sure of its ID
Dendrobium crumenatum, white wild orchid
Bamboo orchid
Cup mushroom
Bamboo orchid
another orchid
purple waterlily...the bee insisted on being there.
yellow orchid, looks like top view of a bug :D
Mushroom
Fern
Bird's Nest Fern
Wild flowering vine
Pitcher plant
Anthurium
Green orchid
Some kind of creeper, climbing fig (Ficus sp.?)
Backlit fungus
Rafflesia cantleyi. More about it here.
Hmm..
All the images above were shot with natural light, with tripod whenever I could, and reflector when necessary. When on tripod, I use the 2-second timer (because I don't have a cable release or wireless remote), Live View (to enable Mirror Lock Up, MLU). More info here.